Provenance:
Estate of the artist
Emma S. Bellows, his wife
Estate of Emma S. Bellows, until 1985
Andy Warhol, New York, until 1988
Private Collection, New York, until 2007
Private Collection

Exhibitions:

National Arts Club, New York, Exhibition of Work by Former Pupils of the Art Students League of New York, 1918

Metropolitan Museum of Art, New York, Memorial Exhibition of the Work of George Bellows, October 12 – November 22, 1925, pp. 23, 45, no. 2 (reproduced)

Literature:

The artist’s Record Book A, p. 22, no. 25

Royal Cortissoz, George Bellows and his Americanism, Scribner’s 78 (October 1925); 440, 444, 447 (reproduced)

Walter Gutman, George Bellows, Art in America 17 (February 1929): 111

Emma S. Bellows, The Paintings of George Bellows (New York: Alfred A. Knopf, 1929), no. 5 (reproduced)

Royal Cortissoz, The Painter’s Craft (London and New York; Charles Scribner’s Sons, 1930): 380-381

Frank Seiberling Jr., George Bellows, 1882-1925: His Life and Development as an Artist, Ph.D. dissertation, The University of Chicago, 1948, pp. 34-35, 40

Charles H. Morgan, George Bellows, Painter of America (New York: 1965), p. 66

Kenneth Morton Davis, Bellows: Stylistic and Thematic Development, M.A. Thesis, Ohio State University, 1968, pp. 1-3, 7, 73 (reproduced)

 

George Bellows (1882-1925)
Miss Bentham (Early Standing Nude), 1906

Oil on canvas
71 ¼ x 35 ¼ inches, 181 x 89.5 cm
Signed (l.l.): Geo. Bellows